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Wednesday, 29 February 2012

Read the Book, See the Movie

Posted on 13:11 by Unknown
A quick note about the Academy of Arts and Sciences. Currently there are 5,765 members of the Academy. My brother tells me he's been told the average age of the membership is 61.
According to a February 25th article in the Los Angeles Times
In the last few years, there has been an uptick in the number of women and minorities earning spots among the 5,765 voting members of the Academy. Nevertheless, based on The Times' study, which confirmed the identities of 5,112 members, the Academy today is almost 94% white and 77% male. Last year, according to Academy officials, of the 178 people accepted for membership, only 30% were women and 10% were nonwhite.
Kind of ridiculous that this small skewed body of people have so much power, in this day and age! In the Times article, the Academy claims they are trying to change things but it's difficult since the industry itself is so weighted.
The article goes on to say
Today, a certain number of work credits as well as sponsorship by two current members, an endorsement of a branch committee or an Oscar nomination are necessary before an applicant is even considered. Membership is for life.
I would love to see someone like a Meryl Streep use her personal and industry power to campaign for change.  I think it would be great to see a wider range of films receiving some notice. The Academy publicity is a huge generator of ticket sales, and ticket sales are what counts when it comes to filmmaking success.
On the other hand, there are some great things the Academy does for the industry, most notably in its film archive and library. And I for one am excited about the prospect of the movie museum they're planning on creating here in Los Angeles in partnership with LACMA. You may have read recently that Leo DiCaprio and Steven Spielberg spearheaded a group of buyers who purchased the ruby slippers from Wizard of Oz for this same museum? You've gotta love that!
They also have a terrific website where you can find out about upcoming events and visit one of my favorite sections Read the Book, See the Movie which is just one among many.
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Posted in Academy of Motion Picture Arts and Science members, Academy of Motion Picture Arts and Science website | No comments

Tuesday, 28 February 2012

Being Flynn: See it, read it, or both.

Posted on 17:00 by Unknown
UPDATE: February 28, 2012
The movie Being Flynn  comes out in just four theatres this Friday! Two here in L.A., the Arc Light on Sunset (the former Cinerama Dome) and the Landmark on Pico plus two in New York, AMC's Lincoln Square 12 and the Landmark Sunshine Cinema 5 on Houston.
I seriously hope it gets out to a wider swathe of the country! The film is based on the book Another Bullshit Night In Suck City  but the book is now being re-released as Being Flynn.  Visit the Focus Films site to get on their list; hopefully you'll get notified when the movie will be playing in your town or a town near you!


Being Flynn film stars Paul Dano - who was spectacular in Little Miss Sunshine and There Will be Blood  - as a young writer seeking to define himself. He misses his late mother (Julianne Moore) and eventually comes face-to-face with his long-estranged father (Robert De Niro), a self-proclaimed master storyteller who is facing eviction from his apartment. The San Francisco Chroniclle called the book a "stunningly beautiful memoir"; Paul Weitz wrote and directed the film.  You might want to check out Nick Flynn's very informative AND groovy website here.  Tons of interviews, and pictures and a pretty cool layout.

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Posted in Being Flynn based on Nick Flynn's memoir, Being Flynn book due out April 2012, Being Flynn stars Rober Dinero, Nick Flynn movie release date March 2012 | No comments

Matt Damon, are you there?

Posted on 15:21 by Unknown
Now that my big night at the Oscars is over it's time to get back to basics. Deadline is back to business and I've been reading about a lot of upcoming projects that could be pretty cool. One of those is The Osterman Weekend based on the Robert Ludlum book. It's the second time around for this one; the first time was Sam Peckinpah's 1983 version. The original starred Rutger Hauer, John Hurt, Craig T. Nelson, Dennis Hopper, and Burt Lancaster among others. Hmm. Rutger Hauer.
The new script is by Simon Kinberg and Jesse Wigutow. Kinber is the writer behind Mr. & Mrs. Smith, x-Men: The Last Stand and Sherlock Holmes. According to FilmStalker in a 2010 article, Kinberg was originally- back in 2007 that is -  going to direct as well but now it looks like the movie will finally get made and it's going to be Brian Kirk sitting in the director's chair. Kirk is chiefly a television director with credits that include Boardwalk Empire, Game of Thrones, Dexter, The Tudors, Great Expectations and the new series Luck which stars Dustin Hoffman. He's doing this one for LionsGate/Summit and Captivate so it looks like this one is intended for the big screen.
Deadline reports "The Osterman Weekend is classic Ludlum, mixing conspiracy, murder and a man on the run. On the eve of an annual weekend getaway with friends, John Tanner is visited by a reporter who tells him his friends aren’t who he thinks they are. When the reporter turns up dead, Tanner gets caught in downward spiral of doubt and paranoia and, ultimately, a desperate fight to stay alive long enough to figure out who he can trust and who’s out to kill him."
So what do you think? Yet another remake of a 1980's movie. Is it necessary? I'm thinking Rutger Hauer and thinking yes. If he was in it, please yes! Then I took a peek looking for reviews of the original; I found some really rotten ones on Rotten Tomatoes - granted they were based on the dvd release vs the big screen.
Perhaps a gander at the original trailer will give us a clue? I'm right! I'm right! This movie could be amazing with the right cast especially in the principal role of John Tanner played here by Rutger Hauer. So, please cast anybody but Rutger Hauer and it will be a better movie than the original.
Heavens!  I'm actually excited by this one and am starting to consider casting possiblities. It could be fun to bring Clooney, Damon, and Pitt together again. Add Ryan Gosling in the mix. Michael Fassbender too. Giametti and Philip Seymour Hoffman. I don't really care what parts these major players play, ha ha, I just think they would be amazing together! But how about Matt Damon for John Tanner? Any casting ideas?
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Posted in Brad Pitt George Clooney, Brian Kirk, Jesse Wigutow, Matt Damon, Robert Ludlum, Simon Kinberg, The Osterman Weekend | No comments

Watch "The Fantastic Flying Books of Mr. Morris Lessmore"

Posted on 10:12 by Unknown
Have you seen the short film that won the OSCAR for best animated short? I assume since you are here that you love both books and movies and I think you'll have to agree this 15 minute gem is absolutely charming.  The film was co-directed by William Joyce and Brandon Oldenburg entirely in Louisiana at Moonbot Studios in Shreveport, Louisiana.
You can find out more at morrislessmore.com
Does it deserve its coveted OSCAR win?

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Posted in Brandon Oldenburg, Moonbot Studios, The Fantastic Flying Books of Mr. Morris Lessmore short video, William Joyce | No comments

Monday, 27 February 2012

The Morning After ... my night at the Oscars

Posted on 17:23 by Unknown



This was my first time at the Oscars as a guest - I had gone once before, years ago, as a seat filler which is a lousy way to go to the Oscars, believe me. This was different, so exciting! Naturally, I had to get all gussied up for the event! And I brought my iPhone so I could sneak a few shots of the preceedings. My brother, who works for the Academy, invited me as his guest so I couldn't get too obnoxious! Driving up Hollywood Blvd was crazy! The street was not only closed off to all but Oscar traffic but cyclone fencing had been put up along the sidewalks making sure no pedestrians went running into the road so they could get run over by George Clooney's limo. I guess. I'm not really sure why that was necessary. Not exactly glamorous, is it? Lots of cops. Lots of valet parkers.


As we pulled up, the valets helped us out of the car and led us to the red carpet which ran down the middle of Hollywood Blvd for about a half block before it arrived at Hollywood and Highland. Since we weren't in a limo, we were surprised to see Jennifer Lopez get out of the car ahead of us. It wasn't a limo, just some high-end SUV. She looked gorgeous from behind, her gown was stunning if a teensy bit see-thru. I tried to get a shot but it was really awkward trying for a picture of her butt! She was equally gorgeous as she turned and we saw her face.
There was an unbelievable amount of cheering from the crowd gathered at the corner, screaming, yelling J Lo, J Lo.   As we joined the throng going through security we saw Meryl Streep, Michael Fassbender. Went through security and  it was much like going on an airplane except we didn't have to remove our shoes, and we all got electronically frisked! Even JLo, even Fassbender, even Meryl Streep!

On the carpet itself we saw Cameron Diaz, Gwyneth Paltrow, Natalie Portman, Colin Firth, Christopher Lloyd, Michael Moore, Octavia Spencer, George Clooney and Stacy Kiebler. The crowd called out Steven Spielberg's name with just as much fervor as they did George's. George. GEORGE. GEORGE! GEORGE!!
How we can expect our stars to stay humble when they are treated this way, I really don't know.

As we made our way along the red carpet and upstairs to the "Formerly known as" Kodak theatre - I realized I had dropped my ticket along the way. Even though I'd had to show it to get this far, they wouldn't allow us in so we had to go back and get a duplicate ticket - thank heavens the folks in charge of security knew my bro!
Along the way we saw Viola Davis limping slowly up the stairs - her gold 5 inch heels were def cramping her style and she had to be helped along. Then we saw Sandy Bullock, rushing in late, and she tripped and almost fell flat on her face. She still looked dazzling though!
As we ran back, the red carpet was empty except for Brad Pitt and Angelina Jolie who were taking their time and talking to all the reporters. Brad (and earlier Octavia Spencer) were the only stars I saw walk across the carpet to greet their screaming fans in the grandstands!
It was an amazing night! We made it back in time to arrive before they closed the doors - I really wasn't worried because I knew Brad and Angie were behind us and no way the Academy would start the show without this Hollywood royalty couple in their first row seats. They entered at the last moment and were seated right in front of Martin Scoresese who they talked quite a bit with throughout the evening. George and Stacy were on the other end of the first row flanked by Sandra Bullock on one side, Michelle Williams on the other.
And there they stayed, Clooney and Pitt both remained planted in their seats and didn't hit the bar once! We went a couple of times but with the exception of Christopher Lloyd didn't see any famous faces. If any of the writers were there, I didn't recognize them!
I thoroughly enjoyed every minute of the show though, from Billy Crystal's opening to the amazing Cirque de Soleil act and even The Artist stealing Best Picture from my beloved Hugo. Oh well! I was happy to see that the Best Adapted Screenplay winner matched with the results of my tiny poll, with The Descendants winning it and Alexander Payne, Nat Faxon and Jim Rash, taking the stage. We all thought Angelina was hilarious striking her leg forward pose, Faxon and Rash duplicating it were funny too. So happy to hear Alexander Payne give a shout out to novelist Kaui Hart Hemmings!
On the way out, I stopped by the womens' room where I saw Owen Wilson waiting for his mother. That made me smile, that he took his mother to the Academy Awards and that like any other son, he had to wait for her before going to the party. Even if in this case the party was the very glamorous Governor's Ball. I saw their little group ride down the elevator together. I was a happy camper as I gave Oscar's tush a love pat goodbye.
Thank you, big brother, for taking me to the Oscars. I had the time of my life!
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Posted in Brad Pitt, George Clooney, my night at the Academy Awards 2012 | No comments

Sunday, 26 February 2012

Going, going, gone to the Oscars

Posted on 09:11 by Unknown
CLOSED!

gone to the Oscars... be back tomorrow.
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Posted in Oscars | No comments

Saturday, 25 February 2012

It's OSCAR time and the winner is ... Billy Crystal

Posted on 11:00 by Unknown
I am excited and more than a little nervous about going to the Academy Awards tomorrow. After trying on '27 dresses' I've opted for a velvet tuxedo with some splashy sparkly jewelry to glam it up. My niece is a hairdresser and she's doing my hair and makeup tomorrow.
So I'm ready but I fear disappointment lurks. And it's all The Artist fault.
For the first time in years, I have seen all the nominees for Best Picture and from what everyone says The Artist is going to win the big prize. As much as I enjoyed this one, my heart belongs firmly to Hugo.  I think The Artist is essentially a great gimmick movie, quite charming, but lacking in the heart soaring emotional response of Hugo . Films have come a long way since the days of black and white silent movies and for a good reason. We embrace the greater heights that films can reach when using all the tools in the toolkit. Scorsese looks back fondly at our cinematic roots yet still tells a strong story, all while mastering the tools of today whereas Michel Hazanavicius looks back with a wink, the story is cute, the dog is cute, the premise is cute. And I will applaud politely as it wins, but my heart will still belong to Hugo. With The Descendants close in 2nd place. Disapointment.
Dujardin: Isn't he smarmy?
Jean Dujardin is also a shoe in for Best Actor which is absurd. It's not the lack of language than I abhor, it's the lack of range, the lack of emotional connection.  Brad Pitt, George Clooney or Gary Oldman should win. Period. But Jean has been adorable on SNL and winking all over tv this week and I suppose he'll be winking again tomorrow night. Pitt and Clooney will just shake their heads and move on because they're not just actors, they're movie stars. But I feel badly for Oldman; such an amazing actor who deserves the recognition.
Disappointment.
Martin Scorsese has been nominated 8  times, for Raging Bull, Last Tempation of Christ, Goodfellas, Age of Innocence, Gangs of New York, The Aviator, The Departed and now Hugo. He won for The Departed and deserves to win for Hugo. ANYONE who has actually seen the spectacular 3D film knows why and words simply can't explain it. I am so DISAPPOINTED that Scorsese, the genius, is going to lose to Hazanvicius! And I can't help but think that audiences think they are supposed to like The Artist - that it measures a certain level of sophistication that we all aspire to. I also wonder if the Academy really realized Hugo is not simply a childrens' movie based on a wonderful childrens' book by Brian Selznick. I wonder if they understand about Ben Kingsley's heartwrenching portrayal of George Melies??? Ah, too late for that kind of thinking now.

I don't mind who wins Best Actress. I was kind of hating on Meryl Streep until I realized she's always the bridesmaid but rarely the bride -  she hasn't won since 1982!!! And was utterly (and typically) astonishing as Margaret Thatcher in The Iron Lady. I think she's going to win and probably should win but after much inner debate I really don't mind if its her, Viola Davis for The Help or Michele Williams for My Week with Marilyn.   I do think it's an outrage that Tilda Swinton wasn't even nominated but that's another story.
And the supporting category seems to be all sewn up; no one is talking about anyone but Christopher Plummer for Beginners and Octavia Spencer for The Help. If  either of them don't win then Hollywood will have something to talk about. Otherwise it's pretty anticlimactic.
Oh well, at least I won't be disappointed in the host! It's Billy Crystal the Academy Award host extraordinaire.  Everyone is thrilled to have him back as he was always so brilliantly funny; I don't think anyone else has been quite as good as Crystal. His openings especially were masterpieces. On the other hand, think of the pressure. Crystal only came back, and reluctantly at that, because of the whole Brett Ratner snafu and Eddie Murphy departure. And it's one thing to skewer (while beautifully honoring) 5 best picture nominees - but how do you deal with NINE?!?!
Oh Billy, please be brilliant and funny and warm! I need someone to cheer me up while I watch The Artist sweep the major awards!
IF YOU DON'T REMEMBER THE GENIUS OF BILLY CRYSTAL AS HOST, CHECK OUT HIS INTRO NUMBER AT THE 2004 ACADEMY AWARDS. BREATHTAKING!
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Posted in 84th Academy Awards, Billy Crystal, Hugo vs The Artist | No comments

Friday, 24 February 2012

Best Adapted Screenplay decade by decade

Posted on 13:11 by Unknown
Thanks to Word and Film for going to the trouble of compiling a list that highlights one adaptation from each decade that the Oscars have been awarded! I commend you for your hard work and duly hereby credit you for same! Okay, now the legal, schmegal stuff is out of the way, check out the article, posted below.
And let me know what film you think should win for Screenplay Adaptation. You can vote in my little poll on the right of the site - The Descendants has just taken the lead or leave a comment in the comment section below.

The two screenplay categories generally yield the most interesting nominations, shortlisting deserving work that otherwise wouldn’t get a look-in, such as 2001’s Best Adapted Screenplay nominee “Ghost World” or 2004’s Best Original Screenplay winner “Eternal Sunshine of the Spotless Mind.” This year’s Original crop proves no exception, selecting a range of films from blockbuster comedy “Bridesmaids” to Iranian drama “A Separation.” While the Adapted picks are less radical, it’s still an intriguing contest: the Hawaii-set “The Descendants,” the cinematic fable “Hugo,” the political drama “The Ides of March,” the sabermetrics narrative “Moneyball,” and the espionage thriller “Tinker Tailor Soldier Spy.” We’re outnumbered by the “Descendants” fans around here (who doesn’t want to see Jim Rash — the Dean of NBC’s “Community” — on stage?), but we’re pulling for the “Tinker Tailor” husband-and-wife team of Peter Straughan and the late Bridget O’Connor to win for their complex, technically accomplished adaptation of John Le Carré’s novel.

The Best Adapted Screenplay has been part of the ceremony since the Academy Awards began in 1929, rewarding some of cinema’s greatest (and most quotable) motion pictures. (Of course, there have been questionable choices as well: “The Story of Louis Pasteur” over “The Thin Man”? “The Country Girl” over “Rear Window”? “Forrest Gump” over “The Shawshank Redemption”? “Sling Blade” over “Trainspotting”?) In honor of the Academy Awards this weekend, we’ve highlighted one adaptation from each full decade of winners (thus excluding the 1920s and the 2010s).
This is harder than it looks (the 1970s is a dogfight), so feel free to discuss your favorites below.
“It Happened One Night” (1934)
The first film to sweep the five major Academy Awards, Frank Capra’s film is considered the first screwball comedy — and it is delightfully, dizzily screwy. Based on the short story “Night Bus,” Robert Riskin’s script follows a runaway heiress (Claudette Colbert) and a reporter who wants her story (Clark Gable) on a bus trip. Honorable mention should go to 1939’s “Gone with the Wind,” which won the adaptation Oscar in possibly the most competitive year in the category’s history.
“The Philadelphia Story” (1940)
George Cukor directed Katharine Hepburn, Cary Grant, and James Stewart in Donald Ogden Stewart’s adaptation of the successful play. Featuring some hilarious comic set pieces, this romantic farce concerns a socialite’s upcoming wedding, her ex-husband’s plan to ruin it, and a hack journalist in search of scandal. It was remade in 1956 as the musical “High Society.”
“All About Eve” (1950)
Joseph L. Mankiewicz wrote and directed this interpretation — the What Makes Sammy Run? of Broadway — of the short story “The Wisdom of Eve.” With an ensemble cast led by Bette Davis (in one of her best roles), this tale of an aging theater star and her young, backstabbing acolyte offers a complex narrative of nuanced characterization and bitchy wit.
“To Kill a Mockingbird” (1962)
Horton Foote’s adaptation of Harper Lee’s bestseller is a master class in screenwriting. The story of a race-based trial’s impact on a small Alabama town as seen through the eyes of a young girl, the film does justice to the drama and humor of the novel and features a flawless performance from Gregory Peck as the heroic yet human Atticus Finch.
“The Godfather” (1972)
The 1970s were an incredible era in filmmaking and trying to pick just one picture is a near-impossible task. But Francis Ford Coppola’s epic, co-adapted with author Mario Puzo, represents the ambition and the bravado of his generation. Despite numerous homages and parodies, the influential Mafia drama remains a powerful look at family dynamics.
“A Room with a View” (1986)
Ruth Prawer Jhabvala’s version of the E.M. Forster novel was part of her longtime collaboration with Merchant Ivory. Starring Helena Bonham Carter, the romantic drama of a young English woman transformed by Italy was an influential hit, almost single-handedly creating the model for future English period films.
“L.A. Confidential” (1997)
Still underrated (it unfortunately went up against the “Titanic” juggernaut), Curtis Hanson (who also directed) and Brian Helgeland’s script streamlined James Ellroy’s crime novel without losing its complexity. Buoyed by a strong ensemble cast, this story of how corruption touches the lives of three police officers evokes classic Los Angeles noir of the mid-century.
“Brokeback Mountain” (2005)
Ang Lee directed Larry McMurtry (a previous winner for adapting his own novel Terms of Endearment) and Diana Ossana’s adaptation of Annie Proulx’s deceptively simple short story. Starring Heath Ledger and Jake Gyllenhaal, this emotional drama about a secret love affair between two men is an artfully told, quietly compelling work
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Posted in Best Adapted Screenplay of the decade, movies based on books | No comments
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